March 3, 2013
Category: Museums & Visual Arts
Presenting the work of internationally acclaimed NYC-based graphic designer and typographer, Stefan Sagmeister.
Sagmeister is as celebrated for his commercial work for brands like LEVIs or his album covers for The Rolling Stones and Talking Heads as he is for his provocative public art installations. He not only tests the boundary between art and design, he often transgresses it through his imaginative implementation of typography.
The Happy Show offers visitors the experience of walking into the designer’s mind as he attempts to increase his happiness via mediation, cognitive therapy, and mood-altering pharmaceuticals. Centered around the designer’s ten-year exploration of happiness, this exhibition presents typographic investigations of a series of maxims, or rules to live by, originally culled from Sagmeister’s diary, manifested in a variety of imaginative and interactive forms.
Where: Design Exchange (234 Bay Street, Toronto)
When: January 9th to March 3rd, 2013
Admission: $10 of free for DX members
World Stage Production
Bennett Miller (Australia)
Production Sponsor: PawsWay
Shock, delight, cacophony! A meeting of the United Nations Commission on Human Rights is staged with the help of specially recruited dachshunds in this wild performance installation. Joyful and chaotic, spectacular and fascinating, Dachshund UN questions our capacity to imagine and achieve a universal system of justice.
Creator Bennett Miller is a sculptor and installation artist whose aim is to create theatre as a political arena by exploring active viewership and durational performance.
Admittance to this show is free on a first-come, first-serve basis. Performances will also be webcast.
If you have a dachshund and want to participate, email email@example.com.
When: February 28-March 3, 2013
Location: Enwave Theatre, Harbourfront Centre
For details visit www.harbourfrontcentre.com/worldstage
Captive State is an exhibition of photographs taken by Dominic Nahr during two trips to Somalia. In August 2011, Nahr traveled to Mogadishu with Alex Perry (TIME’s Africa Bureau Chief) to document the famine in Southern Somalia. They found overwhelming suffering and death; approximately 150,000 of the 2.8 million Somalis affected eventually starved to death. Almost as appalling was the knowledge that a US anti-terrorism policy unwittingly blocked aid to the famine areas for years. Perry writes, “If drought set the conditions for last year’s famine in East Africa, it was man who ensured it.”
When Nahr and Perry returned to Mogadishu the following year, the improvements were tangible, but as Perry states, “If Mogadishu was enjoying its longest sustained peace in 21 years of civil war, you couldn’t mistake that for a return to normality.”A TIME Contract Photographer and Magnum Photos Nominee, Dominic Nahr graduated from the photography program at Ryerson University in 2008. Dominic Nahr: Captive State will be on view in the Ryerson Image Centre’s Student Gallery January 23 – March 10, 2013.
For more information, visit the Ryerson Image Centre website.
Does Casa Loma have ghosts? Find out for yourself with our Ghost Tracking experts….
The Evening will commence in the Library for a quick introduction and breakdown of haunted tales, a sneak peek at your hosts Paranormal Equipment, and perhaps listen to some of the amazing EVP’s captured during some of the investigations that have taken place at The Castle. We will then proceed forward for a mini tour – allowing you, our honoured guests, some extra time to investigate on your own!
Dates: Friday, February 1, 2013; Saturday, February 2, 2013; Sunday, February 17, 2013; Thursday, March 14, 2013; and Friday, March 15, 2013.
Times: 7:00 PM – 10:00 PM
Price: Adult $26.96 Children $15.95
Location: Casa Loma — One Austin Terrace
Forget about the dinosaurs you know… this is a whole new breed of beast. Mark your calendars for the biggest and best dinosaur exhibition ever mounted in Canada!
Ultimate Dinosaurs: Giants from Gondwana features dinosaurs you’ve never seen before, displayed in ways you’ve never seen before. Created by the ROM, this new exhibition makes its world premiere in Toronto on June 23.
This scientifically rigorous, cutting-edge exhibition is based on ground-breaking new research and takes you on a journey through the ancient land of Gondwana. Meet the world’s largest and strangest dinosaurs as you journey back in time to the Mesozoic era and learn how continental drift supported the evolution of these bizarre creatures in what is modern-day Africa, Madagascar and South America.
Not only will you experience new dinosaurs – you’ll experience them in new ways. This exhibition includes cutting-edge augmented reality technology, that layers virtual experiences over the real environment. Three innovative iPad stations allow you to experience dinosaurs in surprising ways, including virtually fleshing out a dinosaur skeleton.
With events for all ages, we combine the excitement of all the arts on the last Sunday of the month from October to March with interactive, innovative family activities to engage and delight all ages throughout the studio and gallery.
Please visit our website: http://www.ago.net/family-events
Location: Art Gallery of Ontario — 317 Dundas Street West
This exhibition features modern masterworks from 1909 until 1971. It was a period of great change in the world: the rapid rise of the car, the Great Depression’s economic turmoil, the devastation of two world wars, the advance of television and computers, the civil rights movement. Living the seismic shifts that surrounded them, the artists in this exhibition experimented with unique ways of seeing and explored new ideas about the nature of materials and the nature of artmaking itself. Artists expressed their inner visions, investigated social issues and created new languages of visual expression, with each generation ambitiously building upon and challenging the art that had come before.
This exhibition invites you to explore ongoing research into five works of art from the Thomson Collection European Art at the AGO. Although each one is more than 500 years old, much remains to be discovered about these rare medieval carvings. Prized for their exceptional skill, craftsmanship and artistry, these mysterious objects inspire a range of questions: Who made it? How was it carved? Who owned it? How was it used? Constantly seeking answers, AGO curators and conservators closely examine the works, comb through primary documents and travel internationally to scrutinize related objects and research materials. They also deploy scientific technologies, such as X-radiography (X-rays), micro-computed tomography (CT scanning) and radiocarbon dating. New and in-depth research findings lead to a deeper understanding of these works and, consequently, the history of human creativity.
Joey and Toby Tanenbaum’s dedication to the European Collection at the Art Gallery of Ontario is palpable in each of the works that they have donated since 1985. Each betrays a love of richness and visual depth, an interest in the tension between pleasure and morality, and a dedication to the needs of their city public. The sensuous marble surface of Gian Lorenzo Bernini’s bust of Pope Gregory XV (1621) proclaims Rome’s papal authority, while the panel The Expulsion of the Money-Changers (1480-1500), attributed to the anonymous Master of the Kress Epiphany, teaches about the boundaries between the sacred and secular with a riot of figures and movement. Hendrick Andriessen’s Still Life (Vanitas) (c. 1637) uses an array of fascinating objects, richly rendered, to warn its viewers of the impermanence of the senses and life. All the Tanenbaum gifts offer AGO visitors a window into the dynamic and exciting history of early modern Europe. Come explore this unique collection and share Joey and Toby Tanenbaum’s passion for the richness and beauty of European art.
Czech photographer Josef Sudek is regarded as one of the legendary photographers of the 20th century with a career that stretched over 60 years. His increasingly contemplative photographs transformed ordinary subjects by uniting his external observations with deeply felt sensibilities, creating a unique world of his own.
More than 175 photographs in this exhibition have been selected from Art Gallery of Ontario’s collection, spanning Sudek’s entire career.