April 6, 2014
When: April 4-6, 2014
Where: Direct Energy Centre, Exhibition Place Hall D — 100 Princes’ Blvd. Toronto M6K 3C3
Time: Friday Noon-9pm; Saturday 10am-9pm; Sunday 10am-5pm
Admission: All Online: $11; Adults: $14; Seniors: $11; Children under 12: Free + sample tickets with select exhibitors.
Show Info: Canada’s favorite celebration of local food, home cooking, eating and shopping! The Good Food Festival & Market is all about food and LOTS of it! Nibble through hundreds of exhibitors featuring food and food-related products. Explore what’s new in the world of ethnic cuisine, gourmet fare, natural foods, cooking ingredients, kitchen wares and expert advice.
April 4 to April 6.
Come experience and enjoy the fine wines of the festival!
From local to international wines and from white to red, your taste buds will enjoy the samples being offered!
For more information please visit: www.goodfoodanddrinkfestival.com
Location: Direct Energy Centre, Exhibition Place
On the Mainstage | Mar. 24 – Apr. 13, 2014 | Grades 4-8.
The award-winning playwright of The Monster Under the Bed has fused Greek mythology and modern themes to create a high-stakes adventure story. Freddie, a 12 year-old boy, receives urgent, cryptic text messages from his soldier Dad in an unnamed, war-torn country. While he attempts to decipher these messages, an Ogre and the Queen of Minos appear in his backyard, dragging him into the past in the role of Theseus, whose destiny was to slay the Minotaur and save his father, King Aegeus. Freddie accepts the quest believing it is the only way he can help his Dad, who is trapped in a foreign war with no way out.
For tickets and information: www.youngpeoplestheatre.ca
Venue: Young People’s Theatre — 165 Front Street East
October 26, 2013 – April 13, 2014.
Esther and Arthur Gelber Treasury.
The focus of this installation is a rare cadavre exquis (exquisite corpse) drawing, a remarkable new AGO acquisition made collaboratively by several major Surrealist artists. The creation of cadavre exquis drawings began in the 1920s as a parlour game. One artist made marks on a piece of paper, covered that section, and then passed the paper to the next person. As the paper travelled around the room, multiple artists made additions. The Surrealists were astounded by the powerful results of this activity, which reinforced their belief in “automatism,” the idea that works of art could be produced as expressions of the subconscious, the irrational and dreams. Many artists incorporated automatist approaches into their artistic practices.
For more details: www.ago.net
Location: Art Gallery of Ontario — 317 Dundas Street West
The City of Toronto’s Spadina Museum, in partnership with VisionTV/ZoomerMedia, proudly present the Canadian premiere of Dressing for Downton: Costumes from Downton Abbey, March 11 to April 13, 2014.
The exhibition features costumes and photographs from the series, Downton- themed tours and teas. The tour takes visitors through the museum’s family and servants’ spaces and links the characters and events from the TV show to real Toronto history.
Twenty authentic Downton Abbey costumes from Seasons 1 to 3 have been borrowed from Cosprop, Ltd., the London-based costume house that designs and creates the beautiful clothing worn by the cast of the television show. Nine of the costumes have accompanying hats, from Lady Sybil’s nurse’s scarf, to Lady Cora’s wide-brimmed picture hat, to Lady Mary’s cloche worn with her pregnancy suit. The costumes are all historically accurate, some made entirely of new textiles, and others using a mix of new and vintage fabrics.
Two ticket options are available: Exhibit and Tour; or Exhibit, Tea and Tour. The museum is open from Tuesday to Sunday, and is closed Mondays. Tickets for this exhibition are available for purchase online at www.spadinamuseum.streamintickets.com
For more information on the exhibition, visit www.toronto.ca/spadina ; Facebook.com/spadinamuseum or follow us on Twitter @spadinamuseum
Form, colour and line are three of the most basic elements of a work of art that can be perceived by the senses, but they also offer a rich ground for breaking boundaries and for artists to explore new ideas by departing from convention. Natasha Gouveia and Laura Marotta make bold statements about colour, most notably in their critique of it, and through their process showcase at once intellectual and playful approaches to the constraints of line and form. Where noted abstract painter Ellsworth Kelly envisioned his seminal monograph Line Form Colour as an “an alphabet of plastic pictorial elements,” Form, Colour, Line picks up this notion and carries it forward, into three dimensions and away from traditionally “masculine” forms of minimalism.
Art Gallery of Mississauga — 300 City Centre Drive
Visit Fantasy Fair and bounce 30 feet on the Drop & Hop tower, scale the Rock’N'Climb walls and ride the Canyon Coaster at the XD Simulator. Grab a Bite in the Food Court, Then Hop on down to Centre Court to Visit the Easter Bunny April 5th -19th.
Fantasy Fair is OPEN YEAR-ROUND. Visit fantasyfair.ca for more details.
Fantasy Fair — 500 Rexdale Blvd
Mary Pratt has become one of Canada’s most distinguished artists, celebrated for her work with familiar subject matter and domestic still lifes. The deceptively simple bliss of these scenes reveals a sophisticated approach to everyday life. Her works are skillfully executed and present nuances of tone, brushstroke, angle and choice of subject that leave viewers of Pratt’s images with a sense of wonder and occasional unease. These substantial artworks have multi-layered meanings for the artist, and for the viewers who encounter the range, subtlety and power of this remarkable painter. At once highly contemporary and deeply rooted in the traditions of art history, Pratt’s work reveals the breadth of emotion, skill and maturity that she brings to her practice.
The exhibition Mary Pratt is not a retrospective in the customary sense of the word. Concentrating on Pratt’s oils and mixed media paintings, the exhibition juxtaposes more than sixty works from different times in Pratt’s career. It mirrors the manner in which she approaches her subject—as an interwoven conversation of themes. Despite describing herself as “consistently inconsistent,” Pratt has enduring preoccupations. Her time is not dictated by clocks but rather numbered by daily rituals and the act of making ready. Pratt dwells on her surroundings, allowing a sideways autobiography through the objects and individuals that encompass her.
Touring nationally, the exhibition allows visitors across the country to view widely recognized as well as rarely seen works from the past five decades, gathered from private and public collections. It showcases Pratt’s “tougher” paintings (to use her own description of them) alongside allusive works, all embodying the intensity and compassion with which she views her world.
For more details: www.mcmichael.com/marypratt/
Location: McMichael Canadian Art Collection — 10365 Islington Avenue, Kleinburg, Ontario