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January 6, 2014

Holding Pattern

The Art Gallery of Mississauga, in a unique collaboration with Toronto Pearson International Airport, is proud to present Holding Pattern, a site-specific mixed media installation by contemporary miniature painter Tazeen Qayyum at the airport’s Terminal 1 departure lounge.

“The AGM is thrilled to collaborate with the Toronto Pearson International Airport on this exhibtion. I am fascinated by the lull of time and suspended animation of airport departure lounges, in particular the potential to find a sense of connection with art when we least expect it. This sense of connection and space for conversation are concepts that the AGM aims to activate with visual art, whether within gallery space or beyond. Our mandate is to bring art to the community and the community to art, and what better space to engage the complex nuances of global community than at the airport?”

In Qayyum’s work, the familiar and iconic airport passenger seat is rendered crimson with floral motif filigree that is
interlaced with cockroaches. The beautiful and the undesirable are side by side, each one partially camouflaged by the other.
Qayyum views the roach as a stand-in for “others” who are different from ourselves, the “others” upon whom judgement is
imposed for their difference.

Designed to enrich travel through Toronto Pearson, the extensive art and exhibitions program contributes to creating a diverse, vibrant and delightful atmosphere. The program features large scale permanent public art by international and Canadian artists, including Richard Serra, Jaume Plensa and Susan Schelle and Mark Gomes. Changing exhibtions are presented in galleries throughout Terminal 1 and showcase local art, culture and heritage in order to create a sense of place.

Location: Toronto Pearson International Airport, Terminal 1, Domestic Departures, across from Gate D20

 
Start: September 1, 2013
End: February 1, 2014
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Carbon 14: Climate is Culture

ROM Contemporary Culture and the Cape Farewell Foundation present a visionary art exhibition, Carbon 14: Climate is Culture, curated by David
Buckland and Claire Sykes. A culmination of a two-year project, the exhibition opens in the Roloff
Beny Gallery and Thorsell Spirit House at the Royal Ontario Museum (ROM) on October 19, 2013 –
February 2, 2014, as part of the Carbon 14: Climate is Culture Exhibition + Festival.

Cape Farewell began the project in November 2011, when artists, including film makers, poets and
musicians, met with scientists, economists and other climate change professionals, to spark a creative
dialogue on issues related to climate change. The resulting Carbon 14: Climate is Culture exhibition
features 13 art installations, including seven new commissions by Canadian and international artists,
from various disciplines, all confronting the facts of climate change and responding in powerful and
creative ways.

For more details: www.rom.on.ca

Royal Ontario Museum — 100 Queen’s Park

 
Start: October 19, 2013
End: February 2, 2014
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Location: Royal Ontario Museum

Brushing It In the Rough: Women, Art & Nineteenth-century Canada

Continuing to highlight its strong Canadiana collection, the Royal Ontario Museum (ROM) presents Brushing It In the Rough: Women, Art & Nineteenth-century Canada. This intimate display showcases the pictorial responses of three nineteenth-century women – Anna Jameson, a traveler; Susanna Moodie, a settler; and Alice Killaly, a native-born resident – to their Canadian experiences. Each woman produced art within society’s parameters and their stories reveal the circumstances behind the use of their talents for financial gain. Augmenting the earlier works, the art of Ruth Abernethy provides a contemporary lens onto the role of women in settler society. The exhibit’s 23 works are displayed from Saturday, August 24, 2013 to Monday, February 17, 2014 in the Wilson Canadian Heritage Exhibition Room of the Sigmund Samuel Gallery of Canada, located on Level 1 of the ROM’s Weston Family Wing.

For more information: www.rom.on.ca

Location: Royal Ontario Museum — 100 Queen’s Park

 
Start: August 24, 2013
End: February 17, 2014
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Location: Royal Ontario Museum

Chinese Portraits of the Ming and Qing Dynasties (1368 – 1911)

The tradition of hosting highly visual exhibitions in the Herman Herzog Levy Gallery at the Royal Ontario Museum (ROM) continues with Faces to Remember: Chinese Portraits of the Ming and Qing Dynasties (1368 – 1911). On display at the ROM from May 18, 2013 to February 23, 2014, Faces to Remember features Chinese portraits created during the Ming and Qing dynasties, and comes from the renowned collections of the Museum’s Far Eastern section.

Showcasing a culturally important, but often-overlooked aspect of Chinese art and culture, the exhibition’s portraits are astonishing in their detail and embedded symbolism. The visual appeal of the exhibition’s 25 works – some remarkably large – is enhanced by a number of sartorial and personal accessories, objects carefully selected for their resemblance to those seen in the paintings.

Dr. Ka Bo Tsang, ROM Assistant Curator, Chinese Pictorial Arts, is the exhibition’s curator. She explains, “Portraits are a way to commemorate people, whether known or unknown to us. The portraits displayed in the exhibition, as well as the personal accessories, provide us with a better understanding of the Chinese people of the past, their aspirations and moral values.”

For more details: www.rom.on.ca

Location: Royal Ontario Museum — 100 Queen’s Park

Learn to Skate

Harbourfront Centre offers over 100 skating classes for kids, teens and adults, taught by our experienced
and supportive skating instructors. All classes take place on The Natrel® Rink, alongside the scenic shore of
Lake Ontario. We have a heated change room with lockers, there’s underground parking, and we’re always
accessible by TTC. For more information, please visit our website at www.harbourfrontcentre.com/learntoskate or
call us at 416-973-4093.

 
Start: November 19, 2013
End: March 2, 2014
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Location: Harbourfront Centre

The Great Upheaval: Masterpieces from the Guggenheim Collection, 1910-1918

The Great Upheaval: Masterpieces from the Guggenheim Collection, 1910-1918 showcases the dynamism, creativity, and innovation of art produced in Europe in the years leading up to and during the First World War. Featuring paintings from the collection of the Solomon R. Guggenheim Museum by artists such as Constantin Brancusi, Marc Chagall, Marcel Duchamp, Vasily Kandinsky, Fernand Leger, Henri Matisse, Amedeo Modigliani, Piet Mondrian and Pablo Picasso, among others, the exhibition chronologically traces the achievements of these tumultuous years as artists experimented with new ways to create art while launching such movements as expressionism, futurism and cubism.

The exhibition’s focus on the years 1910 to 1918 represents an intense chapter in European and world history, marked by sweeping social change, technological developments and scientific advances. During this time of tremendous creativity and innovation, European cities were evolving, and artists, who were founding groups, staging exhibitions and issuing manifestoes, likewise adapted and responded to 20th-century modernity.

The Great Upheaval spotlights the dynamism of this fertile period — as artists hurtled toward abstraction and the ultimate “great upheaval” of a catastrophic war — while presenting some of the foundational modern masterpieces that shaped the art of future generations.

Organized by the Solomon R. Guggenheim Foundation, New York.

For more details: www.ago.net/the-great-upheaval-modern-masterpieces-from-the-guggenheim-collection/

Location: Art Gallery of Ontario — 317 Dundas Street West

Paul Kane – French River Rapids

The Royal Ontario Museum (ROM) presents its newest rotation, an exhibit highlighting the art of Paul Kane, one of Canada’s most influential artists. The exhibit is displayed in the Daphne Cockwell Gallery of Canada: First Peoples from August 24, 2013 to March 16, 2014. The rotation is inspired by the symbiotic relationship between art history and archaeology.

The display brings together 32 artifacts on loan from Quetico Provincial Park and Archaeological Services Inc. along with Kane’s painting “French River Rapids”. Additionally, the oil-on-canvas painting “Fishing by Torch Light” is shown in concert with Kane’s oil-on-paper field sketch of the same name. Comprising two sections, this exhibit focuses on two of Kane’s paintings.

For more information: www.rom.on.ca

Location: Royal Ontario Museum — 100 Queen’s Park

 
Start: August 24, 2013
End: March 16, 2014
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Location: Royal Ontario Museum

Out of the Box: The Rise of Sneaker Culture

On April 25, 2013 the BSM opened Out of the Box: The Rise of Sneaker Culture, an exhibition that explores the history of the sneaker from the 19th century through to today. Out of the Box is the first exhibition in North America to showcase the history of sneaker culture and will feature over 120 sneakers representing the past 150 years. Highlighting iconic sneakers from the 20th and 21st centuries, Museum visitors will have the opportunity to explore the historical beginnings of the sneaker from its emergence in the 19th century to becoming one of the most democratic forms of footwear in the 20th century to its current position as status symbol and icon of urban culture.

Rare sneakers from the archives of adidas, Nike, Reebok, PUMA, Converse and Northampton Museums and Art Gallery, along with loans from rap legends Run DMC, sneaker guru Bobbito Garcia aka Kool Bob Love and Dee Wells from OSD are featured. The exhibition also includes the latest designs from fashion designers, including Christian Louboutin, Pierre Hardy, Lanvin and Prada, as well as exceptional limited editions such as the Nike Dunk Supremes and LeBron James Stewies. A particular highlight is the handpicked sneakers and sketches by Nike designers Tinker Hatfield, Tobie Hatfield, Mark Smith and Eric Avar.

For more details: www.batashoemuseum.ca

Location: Bata Shoe Museum — 327 Bloor Street West

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Start: April 25, 2013
End: March 30, 2014
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Location: Bata Shoe Museum, The

An “Exquisite Corpse”: Poetry and Chance in Surrealist Drawings

October 26, 2013 – April 13, 2014.

Esther and Arthur Gelber Treasury.

The focus of this installation is a rare cadavre exquis (exquisite corpse) drawing, a remarkable new AGO acquisition made collaboratively by several major Surrealist artists. The creation of cadavre exquis drawings began in the 1920s as a parlour game. One artist made marks on a piece of paper, covered that section, and then passed the paper to the next person. As the paper travelled around the room, multiple artists made additions. The Surrealists were astounded by the powerful results of this activity, which reinforced their belief in “automatism,” the idea that works of art could be produced as expressions of the subconscious, the irrational and dreams. Many artists incorporated automatist approaches into their artistic practices.

For more details: www.ago.net

Location: Art Gallery of Ontario — 317 Dundas Street West

 
Start: October 26, 2013
End: April 13, 2014
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Light My Fire: Some Propositions about Portraits and Photography

In 1977, the Art Gallery of Ontario (AGO) purchased its first photograph: Arnold Newman’s collage portrait of Henry Moore, a fitting complement to the 1974 gift of Moore’s plasters to the gallery. This purchase marked the initial focus for collecting photography at the gallery: portraits of artists. The photography holdings have since grown to number more than 50,000 works. Though the collection now spans the wide reach and long history of the medium, portraits remain one of its strongest threads.

In Part II of Light My Fire: Some Propositions about Portraits and Photography – a show that Toronto Star art critic Murray Whyte called “utterly beguiling” – discover a fresh selection of more than 120 portraits from the AGO’s permanent collection, along with select loans from local private collections. Organized under two new propositions, these works showcase the descriptive power of the medium but also its malleability.

“We are Not Ourselves” highlights the ways artists have manipulated photographic materials to create or reveal strange states of being. Through collage, long exposure, darkroom doubling and retouching, among other techniques, each of these photographs lead us from the realm of the familiar and recognizable to other more mysterious planes of existence.

For more details: www.ago.net

Location: Art Gallery of Ontario — 317 Dundas Street West

 
Start: October 26, 2013
End: May 1, 2014
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Location: Art Gallery of Ontario